Thursday 31 March 2011

Tracking and effects job roles at Framestore

Yesterday i talked to 2 people, the first Chris Cooper head of tracking, and the second Johnny Hann, A director and the lead fx td on Smallville.

Chris Cooper - Tracking:

I have heard from Chris that a profesional tracker needs to be able to manual track a whole shot.
36 is the minimum number of tracks per frame of each shot.
In general framestore use over 100 tracks per frame of each shot to ensure stabillity.

As a runner there already, I need not search for online posted jobs a i know vacant positions currently exist.
Chris says that applicants should have a showreel including different types of shots and camera movements traked, usually with full breakdown to show just trackers on the plate.

Johnny Hann - FX TD:

This position isnt usually advertised, as its really based on your own flare if a company thinks that they need you.

Johnny told me that a sucsessful applicant for this job role would have just the very best examples of they're work on a showreel, with no plain effects on black backgrounds, and definatly no boring unexciting effects such as a beautifully made bonfire.

I think finding this information has helped me direct myself further into getting one of these chosen jobroles 

Sunday 27 March 2011

TRACKING AND MATCHMOVE TUTORIAL


part01


part02


part03


part04


part05


part06


part07


part08

Final Film!

Hey guys, Finally finished it! Here is a break down of what i did for this film:

-All Tracking and matchmoving for the project was done by me
-comet trails and building explosion effects were done by me and sanjay
-amazing acting within the footage itself was done by me, ollie, steph, sanjay, joe, and nick!

effects on the wharf

Saturday 12 March 2011

the Wharf Is TRACKED!!!

Ok so its been a good few days tracking these two shots, but I finaly managed it today.
here is shot 2 of 2 as i just happened to have a test rendered of this one. I cant put up the first yet as i need to use my laptop for working. This concludes all of the tracking I need to do for this project apart from one shot that our director Ollie said was not needed, however if i have enough time i still plan to track this shot, if nothing else than for practice.

why you would not use manual tracking

Ok, so I put this down to a learning experience but Whilst doing our canarey wharf shot I tried a manual camera track. I did this becase I guessed that it would be very hard to correctly get the scale and depth right for our scene, and that this part of our plate was exceptionally blurry and hard to track. Here is exactly why you would never try and manually track......it is horrible :P


Tuesday 8 March 2011

Organising and Packaging, Uploading and Schedualing

ok so as for schedualing, we can't really use shot gun for our purposes, however it was definatly still useful learning about it for the future.

so here is my schedual for my work:





Shot To Track
























01/02/11 Wharf01












05/02/11
Wharf02











09/02/11

Atrium









Date 14/02/11


Stairs









19/02/11



balcony








24/02/11




RenderFarm





dependancy

01/03/11





Corridor01






05/03/11






Burst





08/03/11







Corridor02




13/03/11








Demise



18/03/11









Media


21/03/11










FinalBurst